| Text | Length |
| Size of a lot, perhaps | 22 |
| Piece of land, perhaps | 22 |
| One can be a whole lot | 22 |
| Not a lot of a big lot | 22 |
| Meadowland measurement | 22 |
| Home lot size, perhaps | 22 |
| God's Little ___ | 22 |
| City near Mount Carmel | 22 |
| Area of a plot of land | 22 |
| Units to be subdivided | 22 |
| The 300 of Kew Gardens | 22 |
| Realtors' concerns | 22 |
| Real-estate land units | 22 |
| Grangers' measures | 22 |
| Farmland, for instance | 22 |
| Back forty's forty | 22 |
| Irritating to the nose | 22 |
| Prefix meaning highest | 22 |
| Agile circus performer | 22 |
| Your current direction | 22 |
| Type of crossword clue | 22 |
| Heading on this puzzle | 22 |
| Crossword clue heading | 22 |
| Come ___ (happen onto) | 22 |
| Cooling units, briefly | 22 |
| Carrier units, briefly | 22 |
| Summertime elec. users | 22 |
| Summer coolers (abbr.) | 22 |
| Heat extractors: Abbr. | 22 |
| Dog-days units (abbr.) | 22 |
| Auto features, briefly | 22 |
| Successful legislation | 22 |
| Be part of the picture | 22 |
| Congressional creation | 22 |
| Work between the wings | 22 |
| Have work in Hollywood | 22 |
| Dog ___, in vaudeville | 22 |
| Word after sex or riot | 22 |
| Might be a warm-up one | 22 |
| It fills festival slot | 22 |
| "_____ now!" | 22 |
| Conference proceedings | 22 |
| Not have an accomplice | 22 |
| Do without accomplices | 22 |
| Part of Parisian plays | 22 |
| Part of a French opera | 22 |
| Didn't dilly-dally | 22 |
| Was a part of the cast | 22 |
| Played Romeo or Juliet | 22 |
| Emulated Warren Beatty | 22 |
| Didn't just sit by | 22 |
| Pituitary gland output | 22 |
| Dramatic introduction? | 22 |
| When the curtain rises | 22 |
| Opera synopsis heading | 22 |
| Be part of the cast of | 22 |
| Have a cast credit for | 22 |
| About to fail, perhaps | 22 |
| Fast-moving film genre | 22 |
| "Ahhh, O.K." | 22 |
| Rambo or Indiana Jones | 22 |
| Indiana Jones, for one | 22 |
| When Carmen is stabbed | 22 |
| Section of a long play | 22 |
| Call up, as reservists | 22 |
| Infomercial imperative | 22 |
| Advertiser's order | 22 |
| Give in to, as an urge | 22 |
| Walken or Danson, e.g. | 22 |
| Spencer Tracy, for one | 22 |
| Sir Henry Irving, e.g. | 22 |
| She's just playing | 22 |
| One with a stage coach | 22 |
| One who's directed | 22 |
| Forrest or Woods, e.g. | 22 |
| Certain Juilliard grad | 22 |
| Burton or Taylor e.g. | 22 |
| They practice blocking | 22 |
| Illustrate by gestures | 22 |
| Caster's selection | 22 |
| Demi or Julianne Moore | 22 |
| Arthur or Monroe, e.g. | 22 |
| Gospels' follow-up | 22 |
| Congressional business | 22 |
| Book after the Gospels | 22 |
| What some bills become | 22 |
| Volstead and Homestead | 22 |
| Luke's second book | 22 |
| It's before Romans | 22 |
| It follows the Gospels | 22 |
| It comes before Romans | 22 |
| "J.B." units | 22 |
| ___ up (has a tantrum) | 22 |
| Serves the function of | 22 |
| Takes steps concerning | 22 |
| Post-intermission part | 22 |
| Play center, sometimes | 22 |
| Sharp-minded qualities | 22 |
| Quite sharp, as a pain | 22 |
| Not chronic, medically | 22 |
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