| Garfunkel or Linkletter | 23 |
| Connoisseur's collection | 28 |
| Certain high school class | 25 |
| Busts inside a museum? | 22 |
| 1998 Tony-winning play | 22 |
| "Fine" subject | 24 |
| Word with rock or song | 22 |
| Word with form or film | 22 |
| Word with fine or line | 22 |
| Word with film or director | 26 |
| Word with collection or class | 29 |
| Word before song or glass | 25 |
| Word before or after thou | 25 |
| Word after clip or martial | 26 |
| William Corcoran endowment | 26 |
| Verb with thou, perhaps | 23 |
| Upscale office décor | 23 |
| TV personality Linkletter | 25 |
| Topic of an Emerson essay | 25 |
| Tony-winning play of 1998 | 25 |
| Thomson and Varley milieu | 25 |
| Thomson and Carr concern | 24 |
| The "A" of MoMA | 25 |
| Subject of much patronage | 25 |
| Some Sotheby's offerings | 28 |
| Smock-wearer's class | 24 |
| Shamsky of the Miracle Mets | 27 |
| Seduction, for example | 22 |
| Sculptures, oils, etc. | 22 |
| Sculpture, for instance | 23 |
| Sculpture or woodcarving | 24 |
| Sculpture garden pieces | 23 |
| Sculpted figure, for example | 28 |
| Sapp's source of fame | 25 |
| Rubens's métier | 22 |
| Rodins, Monets and such | 23 |
| Renoirs and Rembrandts | 22 |
| Renaissance cradle city | 23 |
| Prints, pastels and such | 24 |
| Picassos and Pissarros | 22 |
| Photographs, paintings, etc. | 28 |
| Paul's partner in song | 26 |
| Paul Simon partner Garfunkel | 28 |
| Paintings, sculptures, etc. | 27 |
| Paintings, sculpture, etc. | 26 |
| Paintings and sculptures | 24 |
| Paintings and sculpture | 23 |
| Oil on a wall, for example | 26 |
| Museum piece or pieces | 22 |
| Musée d'Orsay display | 28 |
| Mobiles, stabiles, etc. | 23 |
| Mastery in works of taste | 25 |
| Manly ___ of self-defense | 25 |
| Manets and Monets, e.g. | 23 |
| Linkletter or Buchwald | 22 |
| Legacy of Aaron Douglas | 23 |
| Kandinsky's output | 22 |
| Jazz's Pepper or Tatum | 26 |
| J. S. Copley's forte | 24 |
| It's longer than life | 25 |
| It's framed and then hung | 29 |
| It's a bust, maybe | 22 |
| It may exist for its own sake | 29 |
| It may be modern or fine | 24 |
| It may be fine or lively | 24 |
| It hangs in the Louvre | 22 |
| Heist target, sometimes | 23 |
| Hangings seen by millions | 25 |
| Gallerygoer's love | 22 |
| Gainsborough's forte | 24 |
| Forte of Joseph Turner | 22 |
| Esthete's interest | 22 |
| Elementary class with crayons | 29 |
| Eggleton or Linkletter | 22 |
| Display for some galleries | 26 |
| Depiction of the beautiful | 26 |
| Dadaist's interest | 22 |
| Corots, Monets and such | 23 |
| Comical columnist Buchwald | 26 |
| Carr or Thomson creation | 24 |
| Busts in a museum, e.g. | 23 |
| Buchwald or Linkletter | 22 |
| Barnes Foundation pieces | 24 |
| Atelier occupant's output | 29 |
| Apt name for a painter | 22 |
| Another high school course | 26 |
| Andrew Mellon collection | 24 |
| An investment, perhaps | 22 |
| Aesthete's interest | 23 |
| Accompaniment for copy | 22 |
| "The ___ of Loving" | 29 |
| "Fine" works | 22 |
| "...but is it ___?" | 29 |
| One preparing an oil pan? | 25 |
| Judge of hangings, say | 22 |
| Chrysler Building style | 23 |
| Empire State Building style | 27 |
| Like the Chrysler Building | 26 |
| Like Radio City Music Hall | 26 |
| Chrysler Building's style | 29 |