| The Parthenon is dedicated to her | 33 |
| Greek goddess born armed for battle | 35 |
| Goddess with a European capital named for her | 45 |
| Daughter born from Zeus' forehead | 37 |
| To whom the Parthenon was dedicated | 35 |
| The Parthenon's raison d'être | 40 |
| She turned Medusa's hair into snakes | 40 |
| She turned Arachne into a spider | 32 |
| She sprang full-grown from Zeus's forehead | 46 |
| She sprang from the head of Zeus | 32 |
| In some renderings, she holds Nike in her palm | 46 |
| Goddess whose companion was an owl | 34 |
| Goddess who turned Medusa's hair to snakes | 46 |
| Goddess who sprang from Zeus's head | 39 |
| Goddess for whom a European capital is named | 44 |
| Goddess born from Zeus's head | 33 |
| Deity featured on California's state seal | 45 |
| Site of the University of Georgia | 33 |
| Site of the first modern Olympics | 33 |
| Loser to Sparta in the Peloponnesian War | 40 |
| Georgia city where the B-52's are from | 42 |
| Georgia city where R.E.M. came from | 35 |
| Capital north of the Sea of Crete | 33 |
| Fleetwood Mac's "Walk ___ Line" | 45 |
| Dylan's "Ballad of __ Man" | 40 |
| One often depicted on a Wheaties box | 36 |
| One side in the Bay Bridge Series rivalry | 41 |
| Massachusetts town near the New Hampshire border | 48 |
| Massachusetts city called Tool Town | 35 |
| City northwest of Worcester, Mass. | 34 |
| "A Lesson From Aloes" playwright Fugard | 49 |
| 'A Lesson From Aloes' playwright Fugard | 47 |
| Where charity begins, in an adage | 33 |
| Where teams often have an advantage | 35 |
| What hosts want you to make yourself? | 37 |
| Comfortable with one's surroundings | 39 |
| "The Three Musketeers" character | 42 |
| The Three Musketeers character | 33 |
| Name adopted by the Comte de la Fère | 39 |
| Musketeer with Porthos and Aramis | 33 |
| Mount ___, Greek monastic district | 34 |
| Greece's "Holy Mountain" | 38 |
| Familiar name of the Comte de la Fere | 37 |
| Duel personality created by Dumas | 33 |
| Comte de la Fère's alias, in an 1844 novel | 49 |
| "Vingt ans apres" figure | 34 |
| "Holy Mountain" of the Greek Church | 45 |
| "Holy Mountain" in Greece | 35 |
| Like the heart during a horror movie | 36 |
| Like a thumb struck with a hammer | 33 |
| Two silkworms raced and ended in ___ | 36 |
| End in --- (overtime requirement) | 33 |
| " . . . ___ of sympathy": Emerson | 43 |
| What some World Cup games end in | 32 |
| What some sporting events end in | 32 |
| Two silkworms raced and ended in --- | 37 |
| If two silkworms raced they'd end in ___ | 44 |
| Ended in ___ (required overtime) | 32 |
| End in ___ (require extra innings) | 34 |
| End in ___ (go to overtime, maybe) | 34 |
| End in ___ (be headed to overtime, perhaps) | 43 |
| Break ___ (go into sudden death) | 32 |
| "It's ---! We go into overtime!" | 46 |
| "___ is like kissing your sister" | 43 |
| Like Pisa's most famous landmark | 36 |
| With lance in hand, ready for action | 36 |
| Like Pisa's most famous structure | 37 |
| How beer mugs are held while pouring | 36 |
| "___ to Kill" (Grisham title) | 39 |
| Wicker's "___ to Die" | 35 |
| Grisham's "___ to Kill" | 37 |
| "___ to Kill" (Grisham novel) | 39 |
| "___ to be born . . . " | 33 |
| "Once upon ___ . . . " | 32 |
| "Once upon ____ . . ." | 32 |
| TV's "One Day at ___" | 35 |
| Phrase used often in Ecclesiastes 3 | 35 |
| Neil Young "Comes ___" | 32 |
| John Grisham's "___ to Kill" | 42 |
| Classic TV sitcom "One Day at ___" | 44 |
| "...___ to be born and..." | 36 |
| "... __ to be born and ..." | 37 |
| "___ to weep . . . ": Eccl. | 37 |
| "___ to serve . . . ": Swinburne | 42 |
| "___ to Kill" (Sandra Bullock movie) | 46 |
| "___ to Kill" (Grisham) | 33 |
| "___ to every purpose": Eccl. | 39 |
| "___ to every purpose ..." | 36 |
| "___ to be born and . . . " | 37 |
| "___ to be born . . . ": Eccles. 3:2 | 46 |
| "___ to be born . . . ": Eccles. | 42 |
| " . . . ___ to heal": Ecclesiastes | 44 |
| ''Once upon ___'' | 33 |
| ''___ to Kill'' (Grisham novel) | 47 |
| Squire in "The Faerie Queene" | 39 |
| "Take ___ from me ..." | 32 |
| How police may act (with "on") | 40 |
| Not having one's feet flat on the ground | 44 |
| Leave ___ (be a good restaurant patron) | 39 |
| Leave ___ (acknowledge good service) | 36 |